2021-2022
Martin Abbot (Science & Technology Studies)
Organizing Irresponsibility? Redrawing the urban nature and culture of risk in New Orleans
Amanda Domingues (Science & Technology Studies)
Making bodies from the past: understanding and measuring humans through archaeological practices
Emily Donald (History)
The Sexual Politics of Hierarchy: A History of Ladies, Tomboys, and Women-Loving Women in Thailand
Kaitlin Emmanuel (Visual Studies)
Researching Sri Lanka Otherwise: Aesthetics as Testimony in the Tamil Diaspora
Re'ee Hagay (Near Eastern Studies)
Mizrahi Aesthetics: Mourning, Time, Globalization
Eliana Hernández-Pachón (Romance Studies)
Plant/Human Interactions in Contemporary Colombian Art
Megan Jeffreys (History)
Perspectives of Escape: Resistance and Community in Antebellum Virginia
Sophia Léonard (German Studies)
“… zeigen, wie es sich in Wahrheit verhält.“ Peter Weiss‘ Biographical Dramas
Astara Light (Visual Studies)
Decoding hauntings, ephemerality, and ecology: Tracing the movement of knowledge through exhibitions of work by Indonesian artists
Sarah Meiners (History)
Whose Children? The Making of the United States’ Cold War Child Refugee Policy
Jinglin Piao (Anthropology)
State Anti-Poverty Programs in Rural Ethnic China
Alec Pollak (English)
Literary Estates and the Transmission of Culture
Jennifer Rabedeau (English)
Medieval Afterlives: Ornament & Empire in Victorian Britain
Austin Raetz (History)
I Bid Him Not Do It’: Same-Gender Sexual Violence in English Courts, 1600-1800
Siriwan Sirithorn (Asian Studies)
Wild Things: Theater, Performance, and Ritual Beings in Northern Thai Ricelihood
Sarah Then Berg (Africana Studies & Research Center)
Musical Phenomenology: Aural Subjectivity in International Relations
Jacob Walters (History)
“Strange Twistings of Soul”: Emancipatory Experimentalism, Speculative Sociology, and the Revolutionary Unknown in the Writings of W.E.B. Du Bois
Anran Wang (History)
Archival research in Moscow, Russia for a historical study on Inner Mongolia, China
2019-2020
Ellen Abrams (Science & Technology Studies)
Making Mathematics American: Representation, Labor, and Engagement during the Growth of American Mathematics, 1894-1945
Manasicha Akepiyapornchai (Asian Studies)
Language and Lineage: The Multilingual Soteriology in Medieval South India
Pichaya Damrongpiwat (English)
Frances Burney, Gendered Violence, and the Materiality of Eighteenth-Century Epistolary Fiction
Ibrahim Gemeah (Near Eastern Studies)
Between Secularism and Islam: State, Religion, and Society in Nasser's Egypt, 1952-1970
Raashid Goyal (Near Eastern Studies)
The Construction of Islamic Law: Compositional Analyses of Legal Traditions
Grace Catherine Greiner (English)
Experimentation in the Archive: Medieval and Modern Poet-Critics and the Making of New Media
Aslihan Gunhan (Architecture)
Displaced Modernities: The Ottoman Empire, Turkey and the Specters of Armenian Architects
Mariangela Mihai Jordan (Anthropology)
I am a whisper, my dear
Jeffrey Mathias (Science & Technology Studies)
The Mind in Isolation: Sensory Deprivation and the Politics of Subjectivity in Cold War America
Krithika Vachali (English)
Reading Natural History: Collection Epistemologies in Nineteenth Century British Science and Literature
2018-2019
Yagna Nag Chowdhuri (Asian Studies)
Of Gurus, Enlightenment and the Ethical Life: The Making of Modern Spirituality in India
Shoshana Deutsh (Science & Technology Studies)
Becoming ‘Too Sensitive’ to Vibration: Mining and Earthquakes in New Zealand
A.R. Edlebi (English)
The Idea of Earth: Modern Literature and Human Time
Lara Fresko-Madra (History of Art)
Sediments of Time: State Violence, History, and Memory in Contemporary Art From Turkey (1990-2015)
John Gorczyk (Anthropology)
Placing animal-human communities in the early Neolithic of the Sofia Basin, Bulgaria
Magdala Lissa Jeudy (Romance Studies)
Troubling Medicine: Naturalist Authors Examine the Medical Apparatus
Matthew Kilbane (English)
Poetry, Media, and the Music of Celia Zukofsky in the Ransom Center’s Lyric Archive
Jayme Kilburn (Performing & Media Arts)
Women Directors: Restaging a Discipline
Patrick Kozey (Romance Studies)
“Por cantigas o rimas”: Poetry and Politics at Court in Iberia, 1000-13000
Lisa Lehner (Science & Technology Studies)
Living With and Without: On the Experience and Global Politics of Curing Hepatitis C
Anna Mascorella (Architecture)
Restore, Displace, Appropriate: Negotiating the Baroque Legacy in Fascist Rome
Lauren van Haaften-Schick (History of Art)
Law into Art/Art into Law: Legal after-lives of the ‘political promise’ of Conceptual Art through Seth Siegelaub's “The Artists Reserved Rights Transfer and Sale Agreement”
Yen Vu (Romance Studies)
Young, Beguiling and Free: 20th century Vietnamese intellectual thought and experience in French expression
2010-2011
Mari Crabtree (History)
The Black Aesthetic in Harlem, 1910-1940
Stephanie DeGooyer (English)
Framed Voices: Eighteenth-Century Literature, Equality and the Archive
Brigette Nicole Fielder (English)
“Tupping your white ewe”: Sexual Kinship and Racial Marking in Mid-Nineteenth Century American Literary Culture
Amanda Gilvin (History of Art)
Exhibition and Circulation of Nigerian Art, 1920-Present
Irving Goh (Comparative Literature)
Towards a Theory of the Reject: Contemporary French Thought from 1968 to the Present
Zachary Gooch (Romance Studies)
Narratives of Noir and the Image of Postwar France
Gokce Gunel (Anthropology)
Thinking Ahead: Rationality, Mediation and Discipline in the Construction of Masdar City
Mukti Lakhi (English)
Contextual Universalisms: Indigenous Discourses of Human Rights in India and South Africa
Cecily Swanson (English)
Circles, Salons, Society: American Modernists in Paris
Darla Thompson (Science & Technology Studies)
Harnessing Labor: Iron Collars and the Forces of Slavery
Zac Zimmer (Romance Studies)
What is the Value of the Common? Aesthetics in the Networked Age
2009-2010
Alexis Briley (Comparative Literature)
`Lawful Calculation’: Hölderlin’s theory of Poetic Rhythm
Julie Phillips Brown (English)
The Feminist Avant-Garde in the Americas
Osvaldo de la Torre (Romance Studies)
The Chilean Tradition in Latin American Poetry
Mark Ferraguto (Music)
Investigating the Beethoven Sketchbook “Landsberg 12” in the Berlin Staatsbibliothek
Kate Hames (English)
Troubled Waters: Narrating the Thames to the Amazon in British Literature, 1899-1939
Joseph Brent Morris (History)
`Be not conformed to this world’: Oberlin and the Crusade Against American Slavery
Sarah Pearce (Near Eastern Studies)
Crusader Philology: The Transformation of Literature at the court of Alfonso VIII
Claudia Pederson (History of Art)
Contemporary videogames by visual artists as a transnational medium for cultural critique
Hannah Rogers (Science & Technology Studies)
SymbioticA: The Practices of Art and Science
Marcela Romero Rivera (Comparative Literature)
Lixo e Luxo: The politics of the image of garbage in Rio de Janeiro
Kim Todt (History)
“Let Us Comprehend the Mysteries of Commerce”: The Mercantilist System in New Netherland and Colonial New York from 1630 through 1790
Anne Wilde (History)
Konrad Bercovici: The Man Behind the Gypsy Costume
Alan Young-Bryant (English)
Pre-Raphaelite Art and Design: Images and Objects of Dante Gabriel Rossetti’s Sonnets for Pictures (1847-1881)
Zhiguo Xie (Linguistics)
Modality and Evidentiality in Lhasa Tibetan