2021-2022
Catherine Appert (Music)
Atlantic Currents: Music and Memory in the New African Diaspora
Durba Ghosh (History)
Monuments, Statues, and Commemorations: how to re-monumentalize now?
Rebecca Harris-Warrick (Music)
Bringing Innovative 18th-Century Operas to Cornell
Ishion Hutchinson (English)
Towards a Lighthouse
Alexander Livingston (Government)
James Tully: To Think and Act Differently
Kristin Roebuck (History)
JAPAN REBORN: Race, Nation, and Foreign Relations after World War II
Dan Schwarz (English)
The Power of Narrative: The Story in Fiction and Film of French Complicity in the Holocaust
2019-2020
Catherine Appert (Music)
Atlantic Currents: Music and Memory in the New African Diaspora
Caitlín Barrett (Classics)
Rethinking Pompeian Households: The Casa della Regina Carolina (CRC) Project, Pompeii
Xak Bjerken (Music)
Ithaca Sounding 2020
Charles Brittain (Classics, Philosophy)
Workshop on Cicero’s Timaeus
Cheryl Finley (Art History)
Black Market: Inside the Art World
Chiara Formichi (Asian Studies)
Pious Moderns: Crafing Modern Muslims in Indonesia
Kim Haines-Eitzen (Near Eastern Studies)
A Natural History of Religion: The Case of Ethiopia
Rayna Kalas (English)
How to Frame Your Government
Jenny Mann (English)
The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime
Patchen Markell (Government)
Hannah Arendt and the Archives of Elisabeth Young-Bruehl
Shirley Samuels (English)
Cultural Testimony and the Civil War
2018-2019
Catherine Appert (Music)
Music and Memory in the New African Diaspora
Caitlín Barrett (Classics)
Identity and Performance in the Roman Garden: The Casa della Regina Carolina at Pompeii
Debra Castillo (Comparative Literature)
International Collaborative Performance Project with Debaroti Chakraborty
Alexandra Cirone (Government)
Bridging the Gap: Lottery-based Procedures in Early Parliamentarization
Raymond Craib (History)
Libertarian Noir: Unsettled histories of exit and enclosure
Brett de Bary (Asian Studies)
Tawada Yōko’s Translation, Fiction, Theory
Michael Fontaine (Classics)
Translating Vincent Obsopoeus' The Art of Drinking
Arnika Fuhrmann (Asian Studies)
In the Mood for Texture: Hong Kong, Bangkok, and Shanghai's Urban and Media Revivals of Chinese Colonial Modernity and New Transregional Imaginations of 'Asia'
Lori Khatchadourian (Near Eastern Studies)
Industrial Ruination: The Vibrant Afterlife of Socialist Modernity
Karen Jaime (Performing & Media Arts)
The Queer Loisaida: Performance Aesthetics at the Nuyorican Poets Café
Alejandro Madrid (Music)
Support for the Spanish Translation of In Search of Julián Carrillo and Sonido 13
Rebekah Maggor (Performing & Media Arts)
Playwright, Poet, and Scholar: Mas’ud Hamdan
Jenny Mann (English)
Orpheus on Trial: Renaissance Poetics and the History of Knowledge
Kate McCullough (English)
Never On Time, But Always in Time: Queer Temporalities and Narrative Form
Marianthi Papalexandri Alexandri (Music)
Facing Sound
Jon Parmenter (History)
Lives on the Line: The Mohawk Community of Akwesasne and the International Boundary Across Four Centuries
Kristin Roebuck (History)
Japan Reborn: Race and Nation after World War II
Jeffrey Rusten (Classics)
An online lexicon to Thucydides
Dan Schwarz (English)
Understanding the Holocaust in the Twenty-First century: Major Memoirs, Fiction, and Films